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'American Idol's' powerful voice shows signs of cracking

Posted in : Updates

(added 10 hours ago)

LOS ANGELES -- Long the nation's most popular television series, "American Idol" has suddenly started to hit some flat notes -- and it's threatening the money-making machine that has vaulted the Fox network to the top of the broadcast race.

Although still a big hit that other networks would love to have, "Idol's" ratings this month slid to the lowest level since its debut in summer 2002. And last week for the first time, "Idol" was beaten by a head-to-head competitor, CBS' surging sitcom "The Big Bang Theory," in the major ratings categories.

The downward trend for the reality show commonly referred to among television executives as the Death Star for its record of annihilating opponents can be traced to a host of reasons, say analysts. A crowded marketplace of reality singing shows, waning viewer curiosity over two new judges and advancing age -- the show is in its 11th season -- have all conspired to weaken the once seemingly invulnerable program.

The ratings slump may well force Fox to compensate advertisers who were guaranteed higher numbers for what has long been TV's No. 1 show, media buyers say. Further evidence that the glut of singing shows is taking its toll surfaced with a massive retooling of Fox's other entry in the song sweepstakes, "The X Factor," which failed to deliver the knockout ratings predicted by its star and producer, Simon Cowell, last fall. On Monday, Cowell sacked three of his on-air colleagues, including former "Idol" judge Paula Abdul.

Meanwhile, if you're keeping score, NBC returns with the second season of "The Voice" on Sunday, giving it a special boost by slotting it directly after its Super Bowl telecast. Analysts say a confluence of events has caught up with "Idol."

"There is no curiosity factor like last year, with the new judges," said Brad Adgate, an analyst for ad firm Horizon Media in New York. "ââ'The X Factor' could have contributed to some viewer fatigue."That doesn't mean "Idol" has lost all its power: Last Wednesday's episode was still the No. 1 program for the week, averaging 19.7 million total viewers, according to Nielsen. Fox executives point to early signs that viewers are watching the program on DVRs more than in the past, which will boost ultimate ratings. Another network "would gladly take the show off Fox's hands," Adgate noted wryly.

A Fox spokeswoman said executives would not comment for the record. Cowell and his spokesman did not return repeated messages and a representative of "Idol's" creator and executive producer, Simon Fuller, said he was unavailable. In January, Fox executives had predicted a ratings drop, but the falloff has been far steeper than they anticipated.

That could potentially put Fox in the position of offering free advertising time as compensation for commercial time bought before the season started. The major advertisers on "Idol" are Coca-Cola, Ford and AT&T, companies that have far-reaching deals involving products featured on the show as well as traditional commercials.

"They didn't expect the show to be down over 20 percent (compared with last year)," said one media buyer, who did not wish to be identified for fear of jeopardizing business relationships.

Although they are pillars of the same network, the people behind the cameras on "American Idol" and "X Factor" have been tangling for years. Fox lawyers are scrambling to settle a lawsuit filed last year by Fuller against Simon over "The X Factor."

Fuller sued Cowell in 2004 for copyright infringement over the British version of "X Factor," claiming "striking similarities to the ’Idol’ format." According to court papers, Fox believed the British litigation could have a "ruinous effect on ’American Idol’ and other business interests" and brokered a settlement.

Under the 2005 settlement, Fox promised to keep ’X Factor’ off the air during "Idol’s" January through May run and give Fuller, a British impresario previously known for developing the Spice Girls into a hit-making act, an executive producer credit on "X Factor" — even though he had no operational role on the show. Last year, Fuller filed suit again, saying that Fox had reneged on the credit arrangement; that suit is still pending and, according to Fuller’s rep, settlement talks are underway.

Fox executives scoff at the notion, however, that "Idol" might be reaching the end of its glory days. It’s still a top show in its 11th season — a feat that has not been equaled since "Cheers" was a hit for NBC nearly 20 years ago.

Equally important: "Idol" is still producing musical stars. Last year’s winner, Scotty McCreery, released a smash country album that recalled the early successes of another "Idol" victor, Carrie Underwood.

And the first "Idol" winner, Kelly Clarkson, just grabbed the No. 1 spot on the iTunes singles chart. Her song has a chorus that Fox executives might want to sing along with: "What doesn’t kill you makes you stronger."

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"American Idol" star James Durbin premiere

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(added 13 days ago)

James Durbin never really followed football growing up. His primary sport was always wrestling. But over the past two years, one of his best friends -- his current guitarist -- turned him onto the NFL. And now the "American Idol" star has an anthem for the sport he's only recently learning about from a fan standpoint.

How quickly things accelerate. On Tuesday, Durbin's music video for "Stand Up" will be released to the public, (with the sports-specific version above released on ESPN.com). The song is on Durbin's debut album "Memories Of A Beautiful Disaster," and has been played on JumboTrons throughout the NFL during this past season.

"It's cool, I'm just gonna say that," said Durbin, calling from the lobby of the Conan O'Brien studios during a promo tour. "It's a pipe dream to be the anthem for the NFL. 'Stand Up' is just what it says, it's that song to get you pumped. It's the fun, get the f--- out of your seat kind of song."

Following the conclusion of "Idol" season 10, in which Durbin finished fourth, the NFL approached him to gauge interest in recording a song for their "Gameday Volume 2" soundtrack. Needless to say, he jumped at the opportunity.

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'American Idol' recap: Fly Girls

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(added 14 days ago)

'American Idol' recap Fly GirlsI can't believe how rude those football players were, making us wait for American Idol like that. During a special post-Sunday Night Football broadcast, Top Gun enthusiast Ryan Seacrest herded his fellow naval/volleyball superstars Steven Tyler, Jennifer Lopez, and Randy Jackson onto the deck of the historic U.S.S. Midway in San Diego. He sold this unlikely television event as "AN AUDITION UNLIKE ANY OTHER," which was another way of letting us know, "We're on an aircraft carrier!"

What genius thought it would be a good idea to film outside? All anyone does in San Diego is fly around. And Steven Tyler's San Diegan farts sound like boat horns! Just not a great move in general. Oh well! Let's get to the good stuff. There were 53 golden ticket winners in all; we saw.....

A patriot in a bikini. No.
Account manager and DJ Ashley Robles, 26, is a keeper. She has an adorable 5-year-old daughter who loves when her mom sings "On the Floor" by Jennifer Lopez. ("Floor!" shouted Randy Jackson in vague recognition.) It's my favorite lullaby too; I find her pronunciation of Af-REEK-ah very soothing. Ashley's cover of Whitney Houston's "I Will Always Love You" was so clear and powerful and unexpected that it caused Steven and Jennifer's hair to flutter slightly. Randy sat still. Everyone loved her. Where had she been? At home, pretty much. "Gotta pay the bill, gotta work," Ashley explained, and I think most of all she meant the CVS bill for her high-octane blush.

Jayrah Gibson, 26, who auditioned with "Just Friends" by Musiq Soulchild, tired me out just a bit with his inability to complete a train of thought and his even less scientific than you'd think reasoning for why you should never have more than one goal. (???????) His long-winded but ultimately meaningless explanation of why a song he'd written for J. Lo featured the word "moneymaker" in the title was particularly painful. Sometimes you don't need to say anything! I've aged three years since then. I didn't think Jayrah showed us that he had a great voice. But he brings good energy and plenty of wackiness to Hollywood, and the editors love that.

Aubree Dieckmeyer, 20, was such an idiot during her on-deck interview that she had to be a joke. Wrong! America's next top model for how to act like you have no idea what show you're on informed the judges she'd be singing "Feeling Good" by Michael Buble. That sound you just heard was Nina Simone rolling over and making Tim Allen's "Ahhhhohhhugh?" noise from the Home Improvement opening credits. Or a cruise ship passing gas. Anyway, Aubree got the runs -- in a good way. J. Lo loved "all the sweet parts" of her voice, and I did too, as long as I was able to forget the sickly sweet speaking voice she'd used to make smalltalk with the judges. I never want to hear that voice again, and I believe Steven Tyler (who mimicked how dumb she sounded) is on the same page. But if she can just go around singing, no problem! Randy offered some good advice: Aubree should work on the power in her upper range so that all of her runs can connect.

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American Idol Review: A Bunch Of Muppets And A Few Good Voices

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(added 16 days ago)

American Idol Review A Bunch Of Muppets And A Few Good VoicesThe much anticipated two-night season eleven premiere of American Idol kicked off this week proving once more that Americans will never get enough of this reality competition. Roughly ten thousand hopefuls showed up for the initial day of auditioning which took place in Savannah, Georgia where we were reacquainted with the former Idol judges and one bubbly Seacrest. Randy Jackson was there along with the sickeningly sweet peacekeeper, Jennifer Lopez. The lovely Steven Tyler, with his best purple suit on, was not so much ready for a day of Idol auditions as he was for filling in for one of the members of Dr. Teeth and The Electric Mayhem.

Talk about a Jim Henson creation come disturbingly to life. Anyhow, the auditions were off to a surprisingly positive start with a slew of talent peppered with only a few delusional people. There was the baby-faced Mr. Steal Your Girl, aka seventeen-year-old David, whose claim to fame was once being in a local singing contest with last year’s Idol winner, Scotty McCreery. A voice that can contend with Scotty’s, I suppose, deserves to go to Hollywood so the judges sent him through.

There was the tap dancing master, sixteen-year-old Gabby, and a sporty volley ball enthusiast, fifteen year old Shannon, both of which made it through round one. But just when things were going way too smoothly, Jessica showed up. Her alleged background in singing made her sound as though she had this one in the bag, but the peculiar tonal sounds that came from her throat were only enough to place her first in a Kermit the Frog impersonation contest. Are you starting to see the theme here? It was big, fat unanimous “no” for Jessica, but don’t worry, she left on the threat that we’ll see her again at the auditions in Texas. Yaaaaay!

Then there was Shawn whose biggest accomplishment in life so far has been as a successful doppelganger of Ryan Seacrest. The resemblance and near identical voice to boot had the judges absolutely tickled. However, becoming a Seacrest clone will have to remain his only calling as his singing abilities were crap. A few more bad auditions went on throughout the day but we were left with mostly positive results. Among the some of the best, the judges decided to take Amy, the twenty-four-year-old living in a tent in the woods due to hard times, along with brother and sister duo, Schyler and Colton, along for the ride to Hollywood with the rest of the ticket winners.

When day two of auditions sprung up, things only got slightly worse. More people were turned away, like Erica Nowak who had an unusual school girl crush on Steven Tyler, as was African contestant Mawuena whose horrific audition had the judges blown away in a negative kind of way. The saving grace from all of the disaster turned out to be a young pawn shop worker, Phillip Phillips, Jr. Phil busted out some Stevie Wonder for the judges before transitioning into some Michael Jackson, putting his own spin on the famous song “Thriller” with the help of his acoustic guitar. It was the perfect way to end the day and he received a passing ticket.

Episode two took us to Pittsburgh, also known as “The City of Champions”, so the city had a lot to live up to with that moniker. So in walks the very first audition for day one- Heejun Han. The Korean native had some bizarre eccentric qualities going on. He liked making seemingly randomized comments to the Idol staff, at one point even commenting on the size of Ryan Seacrest’s “tiny head”. Despite the oddball behavior, Heejun had a real voice hiding inside and belted out some Michael Bolton near perfectly. It was a surprise to everyone, especially the judges, who sent him through to Hollywood.

Again, it was another two days of surprisingly smooth auditions as more and more were given tickets to continue on, including one young man who had been in his family band since the age of two. Yup, you heard right, a family band complete with mother, father, sisters and brothers- the whole gang! With twenty-some years of practice, it only makes sense that he would find it easy to impress the judges. If you’re not the best singer in the world, you can always try to win them over with everyone’s new favorite fad: planking.

“Professional” planker Patricia Bell showed up in support of her sister, Samantha, who was the one auditioning that day, along with a substantial amount of family and friends to rally and, what else? Collectively plank! I’m not really sure how this helps anything, but okay, I’ll roll with it. Samantha proved her actual talent to the judges and was sent through.

A young Justin Beiber look-alike, Eben, made it through the auditions, as did a New York City street performer, Creighton, and Erika the wedding singer. The judges took pity on a seventeen-year-old Travis, who had tried out at last year’s auditions. We were introduced to Travis’ story of being abandoned by a parent, living in a shelter, and dropping out of high school, and although no one on the judging panel seemed to really be behind him, they offered him a big opportunity and sent him through.

American Idol loves good heart wrenching stories and dramatic tales of overcoming huge hardships, so they saved one of the bigger ones for last. Hallie Day, whose unique name the judges just couldn’t get over, told her story of leaving home for New York at the age of fifteen, trying to make it in an all-girl band, her bout with depression, the events that led to her attempt at suicide, and how her current husband saved her life. The twenty-four-year-old’s soulful sound earned her a golden ticket and was an appropriate end to the Pittsburgh run.

This is just the beginning of the infamous Idol auditions. The premiere weeks started off smoothly which is great, depending on how you look at it I guess. For me, it was a little too quiet and just a little blasé. Some talented people came around, no doubt, but I have yet to feel the real excitement. And where are all the crazies? I think that’s the best part of American Idol auditions, right? Let’s hope that this Sunday’s episode brings a little more energy to the table.

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American Idol Returns! Does It Still Glow in X Factor's Shadow?

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(added 18 days ago)

Are you ready for the return of the original? The real deal? American Idol, which has more competition than ever these days for people's interest, enjoyed its 11th season premiere tonight—but did you enjoy it?

There was the usual mixture of promising talent, such as 17-year-old David Leathers Jr., who blew the judges away right off the bat on the first day of auditions in Savannah, Ga., with his crystal-clear pipes, and 24-year-old Amy Brumfield, who's unemployed and lives in a tent in the woods of Tennessee—but can also sing!

But then...there were the others. The others, like Jessica Whitely, who threatened promised to see the judges again at auditions in Texas. Like dapper Shaun Kraisman, who, though certainly cute, couldn't sing a lick. Or like Joshua Chavis, who strutted in claiming to sound like Brad Paisley but, um...didn't.

Mawuena Kodjo, of Togo, West Africa, via Nashville, tried his hand at Rascal Flatts, but his thick accent (and inability to carry a tune) gave him a bigger shot at being the next William Hung. "Prove me wrong, dawg!" Randy offered when Mawuena told the judges that, in fact, he could sing. (Spoiler alert: Sweet guy, but he didn't prove Randy wrong.)

And too bad Erica Nowak, the future ex-Mrs. Steven Tyler who went right for his rump when she scored a hug from the Aerosmith frontman, couldn't sing to the judges' satisfaction, because she was fun!

"I didn't get a golden ticket, but I got some of Steven Tyler's ass, and you can't ask for more than that," she joked outside. "By the way, he has an amazing behind."But back to the ones who charmed with their voices. Maybe Steven would have been more inclined to propose if Brittany Kerr—who he jokingly put through before she started singing—had wanted to be his future ex-wife.

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'American Idol' season 11: Will 'The Voice,' 'Dancing with the Stars' vie for ratings superiority?

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(added 19 days ago)

For “American Idol” — the nation’s No. 1 television show — an eerie calm marks the dawn of season 11.
There are no new judges this year. Host Ryan Seacrest isn’t going anywhere. And despite upstart competitors, the 2010-11 television season witnessed “Idol” retain its standing as king among all broadcast network television shows.

But all glory is fleeting. As “Idol” kicks off its season premiere tonight at 8 p.m. on Fox, the franchise will have to guard against rival programs — in particular, last year’s ratings nemesis, ABC’s “Dancing With the Stars,” is set to return in March and, perhaps most notably, NBC has bumped up “The Voice” to debut its second season next month.

“If I were a producer of ‘American Idol,’ would I be concerned that ‘The Voice’ is playing during the same weeks that my show is playing? Yeah, I’d be concerned,” said Robert Thompson, a professor of television and popular culture at Syracuse University. “It’s probably going to be difficult for people to make a commitment to both of them at the same time.”

A singing competition that pits judges against one another as they mentor singers, “The Voice” was an immediate hit for NBC last spring during its two-month run. By June, thanks to the lead-in from the network’s smash variety show “America’s Got Talent,” “The Voice” was drawing nearly 13 million viewers in its final week.

In fact, “The Voice” was enough of a success that its premiere ended up beating that of Simon Cowell’s much-anticipated “The X Factor.”Airing its first episode immediately after the Super Bowl, “The Voice” will anchor NBC’s Monday night lineup, avoiding a head-to-head showdown with “Idol.”But don’t think Team Idol isn’t feeling the heat from its newest competitor — which will feature inaugural “Idol” champ Kelly Clarkson as one of its guest mentors this season.

'American Idol' season 11: Will 'The Voice,' 'Dancing with the Stars' vie for ratings superiority?

“It’s a compliment to ‘Idol’ that other shows want to use our superstars on their shows,” said Mike Darnell, who heads Fox’s reality programming, as he spoke earlier this month at the 2012 Television Critics Association. “We’re not hiring a lot of people on ‘The Voice’ to be on our show.”Whether “Voice” proves to be a true threat to Idol remains to be seen. But last year, “Dancing” demonstrated its ability to keep pace by besting “Idol’s” ratings toward the end of its spring season, improving its numbers from the year before.

With the right combination of celebrity star power (the contestants for the next round have yet to be revealed), “Dancing” could prove to be a significant irritant to “Idol” as the two shows lock horns in the Wednesday and Thursday prime-time slots.

Then again, if such whispers of “Idol’s” delicate dominance seem familiar, well, that’s probably because it wasn’t very long ago that viewers and critics were wondering whether the franchise had lost its shine.
After the disappointment of judges Ellen DeGeneres and Kara DioGuardi, the decision last season to add Steven Tyler and Jennifer Lopez to accompany Randy Jackson at the judges’ table received mixed initial reactions. But the transfusion ultimately proved to be critically successful. And despite relatively lackluster ratings at the season’s outset — for “Idol,” that is; it’s a little facetious to call 26 million viewers lackluster — the season rebounded to produce a finale that, for the first time in five years, increased “Idol” ratings from the year before.

Besides, there’s still a special prestige that comes with winning “Idol” that its competitors do not offer. Thanks to a reputation forged through a durable formula and proven ability to produce breakthrough singing stars, “Idol’s” crown remains the most sought-after prize in the industry, a title that, after 10 years, still dwarfs any accolade offered by “The Voice,” “The X Factor” or “America’s Got Talent.”“I don’t know anyone who would have to think very long about that,” Thompson said. “(Winning ‘Idol’) is the Oscar of reality television talent competitions.”

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'American Idol' returns, defending top-notch status

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(added 20 days ago)

The current American Idol team will maintain its softer and gentler approach for Season 11 — unless you mention any other singing competition shows. Executive producer Ken Warwick disses Leona Lewis, a winner on the British version of The X Factor, as a “one-and-a-half-hit star for 10 minutes.” Judge Randy Jackson slams contestants on The Voice as “second-chance people” and vows that his show would never stoop so low as to steal Star Trek’s swiveling chairs.

'American Idol' returns, defending top-notch status

Fox network’s head of reality TV, Mike Darnell, also oversees the new American X Factor, but goes out of his way to point out that Idol is the one and only phenomenon.

“Everyone else chases this show,” Darnell said. “This is the gold standard.”Why all the defensiveness? Because for the first time, Idol, which returns to Fox on Wednesday, is following two similar hits. The question of audience burnout rings as loud as Steven Tyler’s wardrobe.

Not that The X Factor or The Voice have matched the juggernaut’s numbers. Each averaged 12 million viewers in their debut runs — half as many as Idol pulls. But X Factor is this season’s No. 1 new unscripted series, while The Voice was tops among rookie programs last year among 18- to 49-year-olds and will launch its second season on NBC directly after the Super Bowl on Feb. 5.

Executives do their best to ignore the fact that England’s Pop Idol, the show that started it all in 2001, was canceled after just two seasons because of The X Factor’s popularity. “When Idol started, there was only one of its kind, and the truth is now there’s a lot of these shows,” said Idol producer Cecile Frot-Coutaz. “But in the end, competition is good. It means you have to raise your game.”

Fox Entertainment president Kevin Reilly is doing his part by trying to lower expectations, predicting that Idol’s ratings will drop this season. In fact, viewership has been eroding for more than five years.

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'American Idol' with Pittsburgh ties begins airing this week

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(added 22 days ago)

Who will be the next Kelly Clarkson? Or Carrie Underwood? Or Scotty McCreery?

As usual, the question won't be answered until May, but much of the fun is in the journey ... as "American Idol" is determined to prove again. The hugely popular Fox singing competition starts its 11th season Wednesday, with the last round's panel of judges -- Randy Jackson, Jennifer Lopez and Aerosmith frontman Steven Tyler -- back intact, and Ryan Seacrest in his traditional role as host.

'American Idol' with Pittsburgh ties begins airing this week

Cecile Frot-Coutaz, an "Idol" executive producer from the start, hints the latest round has "more variety than in prior years. We had good turnouts at the stadiums (for the auditions, footage of which always starts an 'Idol' season), a lot of diversity in the talent with some very interesting younger talent and some big voices. It's been interesting."

That should keep things fresh for the "Idol" judges during the weekly Wednesday and Thursday episodes, with Lopez and Tyler going into their sophomore stints. "It's almost like the kids this year have studied the show," Tyler says. "They know what to expect. The ones who are really good, they're the ones Randy and J. Lo and I give the toughest criticism to. We want them to get through. ...

"That's the part of the game I'm in it for. I know that between Randy's ear and J. Lo's and mine - and the melodic sensibility that I got from my father - we're always going to pick something above and beyond what 'Idol' was before, if I may brag about that."

Last season's contest came down to two country-flavored talents, Lauren Alaina and eventual winner McCreery. "At the very beginning," Frot-Coutaz says, "the show was clearly looking for a pop star. I think over the years, it has broadened in the kinds of contestants it's attracting ... and, therefore, in what it's looking for. Over the years, rockers have come up a little bit more; we've had (Chris) Daughtry, then, last year, we had James Durbin.

"We also started to see people like Paul McDonald last year, sort of jazzy performers. This year, we don't have more country than we did before. You could have thought, 'Well, now the country kids are going to show up,' and we do have some. But because we had such diverse talent last year, more diverse people have come to the show. Aspiring artists who would go, 'That show's not for me; it's too commercial,' are now coming. I think that's a real tribute to what the show has become."

Auditions for the 2012 edition of "Idol" were staged in St. Louis; Portland, Ore.; San Diego; Pittsburgh; Charleston, S.C.; Denver, Houston and East Rutherford, N.J. That meant plenty of travel for Seacrest and the judges, but having been through the process once, Tyler believes he came back to it more prepared for what it is.

"Writing my own songs and going up onstage and being best friends with the guys in the band, it's a lot different than this," he notes. "I'm not going to lie: It was difficult last year, in the sense that I didn't know the game; I didn't know the rules. I'm getting it from the ground up. It wasn't rubbed into me for 10 years.

"I'm seeing it as kids coming in and wanting something bad, but they've got to be that special something. The critiquing is easier for me this year. I want to be honest, but sometimes on television, they're brutally honest for television's sake. That's a little hard for me to be, so as J. Lo has said, you nurture, and they come out even better in the next round. They don't feel put down; they feel massaged with encouragement. And that's worked for us."

"Idol" will get an extra boost from an additional airing Jan. 22, immediately after the Fox telecast of football's NFC Championship game. "It's just a normal audition hour," Frot-Coutaz explains. "We're just trying to stay focused on the show's strengths, such as the warmth and the intimacy, especially in the audition phase."

What keeps viewers coming back to "American Idol" is what keeps Frot-Coutaz pleased to be one of its makers. "I just love the discovery, the unpredictability," she says. "You never know who's going to walk in through the door, and you just want to be wowed."

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Americans still vie for Idol

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(added 26 days ago)

PASADENA, California - Perhaps it was because there was no one onstage to ridicule, other than themselves; or perhaps it was because there were no unpleasant surprises waiting for them, or shocking voting results to deal with.

Americans still vie for Idol

Whatever the reason, there were no tears (Jennifer Lopez), no shouting (Randy Jackson), no catty comments (Ryan Seacrest) and no preening, head-bobbing, rock 'n' roll squealing (Steven Tyler) when the judges and host of American Idol took the stage to talk up the still-popular program's 11th season.

Not even when a Postmedia News reporter suggested that recent runners-up on Idol have gone on to bigger, better music careers than the actual winner, leading some to question the whole premise of a talent competition that's about finding "The One.""No, no, baby, you have it all wrong," Lopez cooed, while Jackson proffered that "I pity the fool" look.

"I don't think that's true," Jackson said. "I mean, (last year's winner) Scotty McCreery is now a platinum artist, which today is like selling 10 million records. I think probably the only three artists who are bigger are Adele, Rihanna and (Lady) Gaga, if my memory serves me correctly, with Adele bigger than all of them, worldwide, in singles.

"It depends on the artist. I say this every year: You can win American Idol but, in the end, you have to make an amazing, competitive record. It's about the songs. We do our thing, and the public votes, and then it's all about that great record."

The pre-show talk about this season echoes that of past seasons: This season's field-of-talent is the hippest, coolest, most exciting, etc. Idol's critics have got it wrong; blowback from The Voice's judges is just sour grapes; Simon Cowell and The X Factor people have been put in their place and should just mind their x's and o's going forward, etc., etc.

It wasn't always that way, though. Tyler, for one, admitted that when he signed on last season, his rock 'n' roll mates were dumbstruck. "It wasn't really accepted up front, I must admit," Tyler said. "Mostly from my own bandmates, because they didn't know what was going on with Aerosmith at the end."

What a difference 20 million TV viewers makes.
"It's brought nothing but younger kids to our music," Tyler said. "We haven't had an album out for a while, but we're working on one now. I can't go anywhere, now. It was like that before, but it's way more over-the-top now because of the show, because of the notoriety.

"It took Aerosmith sales up 260 per cent last year. It's been nothing but good. One hand washes the other. I can't let down the rock 'n' roll community just by being on Idol. I'm a judge. I've judged myself for years. Aerosmith has been really successful. So it's been all good."

Tyler insists the judges won't be critical this season just for the sake of being critical.
"The talent performs in front of us, and we put our eyes on the ones who are good. Yeah, there's a lot of luck involved, but you get a lot of luck by putting in hard work. We recognize the ones who have that magic because we've seen it in ourselves, or in other people over the course of our careers. We see that in these kids. So, to be hard on them is pointless. What are we going to tell them to do? Go home and practice and come back next year?"

Idol trades on honesty and authenticity, Jackson insisted.
"This is the most authentic talent show," Jackson said. "And the judges should always call it as they see it, not as people want them to call it. People say, 'It should be tougher; it should be this; it should be that.' You have to call it as you see it, do you know what I mean? We try to help and mentor and nurture the talent, not tear them down."

Lopez concurred.
 "We try to give them advice the way we would want it to be given to us," she said. "I want to do it in a way where they hear me. "At the same time, you know, there's nothing wrong with a little tough love. "There's nothing wrong with a little encouragement, and making them feel great at the same time. We all have our own styles and personalities, but at the end of the day we're trying to get them through, no matter what we say to them."

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'American Idol' judges: 'We've been hearing a lot of Adele' - video

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(added a month ago!)

American Idol judge Randy Jackson has said a large number of hopefuls have been performing tracks by Adele in this season's auditions. In a video posted by Fox All Access, the judge and fellow panellists Steven Tyler and Jennifer Lopez spoke about auditions for the 11th run of the competition, which premieres Wednesday, January 18 on Fox. Jackson said: "We've been hearing a lot of Adele of course, because she's the largest selling artist of anyone in the world right now, so we've been hearing a lot of her."

'American Idol' judges 'We've been hearing a lot of Adele' - video

As for what the judges are looking for in contestants, Aerosmith frontman Tyler joked: "The genre of good. If it's good we love it!' Lopez added: "We don't discriminate, we love all kinds of music. We just want it to be good!"  In a separate interview with the new issue of TV Guide Magazine, available now, the judges elaborated on the contestants' trend for singing Adele, especially her hit track 'Someone Like You'. Lopez said: "You have some people who do their own rendition of her who do it beautifully and then you have the people who fall a bit short."

Tyler said that there had been "about ten contestants who just nailed it" but admitted that the judges had become "tired" of hearing 'Someone Like You', saying: "Every three songs it's that same song."However, Lopez pointed out that although the judges had grown weary of hearing several versions of the same song they always had to let each hopeful finish singing because they never knew who would "nail" the performance. He was recently honoured with the 'Artist of the Year: New Artist' prize at the American Country Awards 2011.

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